24 Oct 2022
The research demonstrates how the practical demands of Renaissance perspective painting implicitly drove the discovery of projective geometry, formalizing how artists' techniques, such as vanishing points and the horizon line, are rooted in fundamental mathematical principles. Through analytical reconstruction of paintings like Piero della Francesca's Flagellation, the authors illustrate how to deduce the observer's original viewpoint, offering new tools for art-historical interpretation.
There are no more papers matching your filters at the moment.
